Brenda Castles and Liz Hanley
In Concert
Concertina, Fiddle and Song
in the Irish and American Tradition
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Bitterroot School of Music
at Rooted Music
&
CelticTradRadio.com
Proudly present an evening with two of today’s finest
musicians in Traditional Irish Music
7:30
PM, Friday, March 29, 2019 at
Bitterroot School of Music
100 Skeels Ave, Hamilton, MT
Tickets
$15 at the door. Space is limited and we expect a full house
for this very special event – please RSVP
to guarantee your seat,
and for more information, call 406-363-5491 or visit
CelticTradRadio.com/BrendaAndLiz
or BitterrootSchoolOfMusic.org
Brenda
Castles
and Liz Hanley
Concertina,
Fiddle and Song in the Irish and American Tradition
Brenda Castles comes from a rich
tradition of music in Ireland’s County Meath, having
learned concertina from Rena Traynor (née Crotty) and
concertina maestro, Mícheál Ó'Raghallaigh.
She has several All-Ireland Fleadh titles to her name. both in solo
and group competitions. Music has brought her around the world from Hong Kong
to Rekjavik, Taipei to Tipperary.
Brenda is currently based between
Dublin and New York, where she regularly performs and teaches music. She
released her debut solo album, 'Indeedin You Needn't
Bother' in December of 2016. She teaches classes around the world from Atlanta
to Germany and of course in Ireland. In 2019 she'll be teaching at the
Catskills Irish Arts Week and at the O'Flaherty retreat in Texas. Brenda has
been a performer in two Celtic Sojourn productions and she joined the Green
Fields of America collective for concerts around the world throughout
2016-2019.
Liz was raised
in an Irish family in Boston and learned her traditional Irish and American
folk repertoire from her father and grandfather. She studied classical violin
at NYU and currently lives in Brooklyn, where she regularly performs.
Liz released
her debut solo album, ‘The Ecstasy of St. Cecilia’, in 2013, and
has been a featured artist on numerous recordings. Continuous activities in the
traditional music scenes of the US, Ireland and the UK, her distinctive voice,
and her affinity for various other music genres are resonating attributes of
Hanley's interpretations.